composer /// performer /// builder
HEATHER FRASCH, is a composer of acoustic and electroacoustic concert music, performer/composer (flute, laptop/electronics & sonic objects), and creator of interactive sound installations and digital instruments. Through the creation of complex timbres, the usage of unstable notation systems, and electronics her work explores notions of fragility and stillness within an intermedia sonic arts practice. Influenced by the dis-embodiment of acousmatic music practices, she investigates the re-embodiment of sound and the intimacy between humans and their technological objects.
She co-runs mumei publishing which publishes online journals and monographs that concern text-sound perceptions. She is co-director of vibrant matter, who curate events, investigating the blurred boundaries between text/object and sound.
She is interested in asking questions and finding the unexpected through a creative practice. By using different mediums, she is able to look at her investigations through various lenses. She is excited when previous notions are challenged and broken, making room for new ideas to emerge.
She holds a PhD from the University of California, Berkeley and further degrees from IRCAM, CNR de Lyon, and Temple University. Frasch was composer-in-residence at the IEM (Institüt für Musik und Akustik) in Graz, Austria (2015) and at the Villa Ruffieux, in Sierre, Switzerland (2017). Other honors include: artist residency at the EMS in Stockholm (2014), the George Ladd Prix de Paris in Composition (2008), International Sergei Slonimsky Composition Competition Prize (2012), and the Nicol DeLorernzo Prize in Composition (2010 and 2008). Her work has been performed at Moscow Autumn Festival, San Francisco Tape Festival, NYCEMF, Mixtur Festival, hcmf//, Akademie Schloss Solitude; and by the Ensemble SurPlus, sfSound, Vertixe Sonora, Adapter Ensemble, BCMP, among others.